back to the city

i really fell out of habit of blah-blah-blogging, but here goes a new round.

first, announcement of my only NYC show in the near future, which is next Saturday, April 6 at Muchmore’s in Brooklyn (williamsburg). Doors at 8 and also with my good friends in No Sky God. It’s 7 bucks, All Ages, and will be a new experience.


At The Tip, San Francisco, August 2012

secondly, the matter of my whereabouts the past 18 months or so. I guess i never talked on here about the German tour. Well it was most enjoyable mayhem. Those people do not stop. For two to three weeks i zipped around Germany and the Czech Republic on trains playing the best shows yet to wildly loving audiences with attentive ears. And the nights went on to the wee hours, too much wine and ever-present cigarets and beautiful women abounding. Also there i delved into old family legend, a part of my bloodline shrouded in mist, when the french escaped into Germany for a generation in the 18th century before continuing to America. Rumors of a castle and a fortune. I saw many castles, and followed many leads, tracing lost places back onto new maps, feeling like Tintindiana Jones. Never found a fortune but enjoyed the magic. Also discovered a songwriter whose work i deeply enjoy named Anna-Lena Bludau. I can’t wait for her new record, hear some of her work at her BandCamp site.

I came back to the USA and finished mixing GET ANCIENT, as it was now calling itself, in New Jersey with James Frazee. And then i packed my things and returned to the Lost Coast where i grew up. I moved into a new cabin on a garden farm near my family, a cabin i used to rehearse in years ago. I hauled a piano in and got to work writing the songbook and making the artwork for the album, and writing new songs. Immediately my vices were cut to near-nothing, i painted maps and pictures, studied botany and mathematics and history, learned the names of the woods and the birds and the mushrooms and the stars, and worked on a new phonetic English Alphabet. I got good at jogging the five miles to town (and walking the five miles back), and practiced handstands in the moonlit grove. I grew vegetables and fruit, planted redwoods, chopped firewood, charted genealogy. I discovered a new variant of non-Stinging Nettle, which i called the Triforce Nettle, but it died when i attempted to isolate it for cultivation. Should’ve waited til it was dormant. I improved in Archery and did not get worse in marksmanship. And all the while, family things happened.

When summer came, i had to leave that place, so i traveled around the West, playing some shows alone and with my good friend Rachel Fannan. I helped build a barn and some fence, i lived in my truck and slept in a treehouse with a bat or two above me. I was with my grandfather when he died, and i stopped smoking and drinking completely.

So now I’ve returned to New York City to put my feet back on concrete, find a proper outlet for GET ANCIENT, resume the on-going tour and prepare to craft the next album — which i’m VERY excited for (there are about 60 songs on my work list). I won’t be here long, but I’ll be around. More soon, love you and see you…

an old dream

He ran into our view, greeting his mother, and found his place in his wheelchair. Once he was in, we all seemed to forget that he had been upright and agile seconds prior. Our thoughts turned to “Oh, the poor boy!”
Of course, he was 21 years old, but may as well have been 12; with his short, neat red hair, striped gator shirt, braces. I hadn’t seen him since my mother’s 40th bash 11 years past, when myself and another lad teased him for no reason at all. Quite out of character for myself, but I guess I was sort of a pushover and went along with things like that. And while he now appeared a completely different boy, he still appeared a boy. Bookworm cute, very polite, and even charming – the center of all attention. Christopher.
“Did you go see your Indian?” He was speaking to me. Apparently we had conversed somewhat recently? I remember now; that always seems to happen – it happened with the wheelchair. Once he sat down I realized “Oh, didn’t he get hit?” “Oh, didn’t we speak by mail or something?” Of course, I hadn’t yet spoken to my Indian. I knew what he might say, and didn’t consider myself ready for that kind of leap. Or perhaps I had…
“Yeah, yeah…I did. Um, he gave me this letter…” My brain struggled to form a concise verbal explanation of what my Indian had, in fact, laid on me. Externally, these thought processes form only a sort of uncomfortable pause, which someone (Christopher) must take their cue to fill.
“You must go out,” he explained, adding some age before me, “and leave behind all that you know, taking only that letter with you.” The middle-aged women around us murmured sounds of surprise and wise approval. Sounds of a Jewish sewing circle. I knew that was what would happen from seeing my Indian. I knew it would happen by telling Christopher. I would be told exactly how I was to attain my wisdom. My harmony. To attain my certification of humanity. But I wasn’t ready.
I myself have not yet completed 21 cycles. I’m still having fun. Preparing for college, taking on residences with loved ones. Enjoying lacks of responsibility and care, while adopting selected ones. Enlightenment would take that away. I’d become this serious face. A stern man. A cold, fearsome Indian. That was why I’d been reluctant. That was why the letter remained in some out-of-mind place.
We left the indoor gathering of mothers through the back door, out to the grassy hills of children. We had been their age when I last saw him, or at least it had seemed. I wasn’t completely certain what to make of things.
A ball rolled past and he sprang up from his seat and was off, and the question was back; I suddenly remembered his sprint at his arrival. Was he paralyzed or not? By the time I wondered it, he was already sat back down. Maybe he’s in recovery, and is practicing his walk. Maybe he was never paralyzed, he’s just not currently in a fully able state. And then he was up and out again, for quite some time. Eventually the wheelchair rolled away.
It crossed my mind to ask him these things if only for clarification, but every time a question arrived it seemed to be immediately answered and summarily pushed aside. This happened all day. Besides, was it really so important to be told what had happened to him? Apparently, I already knew.
So wouldn’t Christopher’s knowledge of the ways of the Indian imply that he had made his way through the process I face, or a similar one, and he is more outgoing and fun-loving, it seems, than he or I had ever been? After all, why should enlightenment and self-realization drain one of fun? Quite the opposite, when you think about it. You should see the light and humor in all things. And these things that tie us down, should they really be so exalted as to keep us from actualizing the biological beings we are and finding our true place in this scheme and among each other? Freeing ourselves requires breaking bonds, even those we have forged!
I came across the letter. I’m not sure where I had thought it to be, but it was now in my back pocket, in my hand. I pictured where I thought it might take me, and assured myself that anyplace I could imagine would not be someplace I would find myself. Fantasy is never an accurate forecast. While I may like to think my questions are being answered without being asked, I can’t be assured that the answers are accurate, that they’ve come from anyplace other than my imagination.

2 & 3 July 2011 Dreams

2 July 2011

i’m at some kind of awards ceremony in LA, an outdoors estate, white pillars and arches, golden fountains, rows of folding chairs and well-dressed celebrities. i pace back and forth on the right hand-side, along the garden fence, cell phone to my ear tho maybe i’m not even using it. just a disguise. at the right moment i sneak thru the door by the stage, into the building. the ceremony is over now and i’m in the empty church. i enter the door to one of the radiating chapels (the term after looking it up, did not know it in the dream) and in the dark, pale blue light streaming in with my female partner in crime, we find the pool. There in the center of the room, the white marble floor descends, becoming a pool of clear blue water some ten to twelve feet deep. Having just learned last week in waking life to dive, swim downward and retrieve objects underwater, i dive down until i reach the brass plate at the very bottom. There is a single flat-head screw the size of a nickel on the left side. I am running short of air and first think i should return to the surface for a breath and a screwdriver, but i muster my strength, turn the screw with my thumbnail and remove the plate. As i rush back to the surface, the pool drains into the hole where the plate had covered.
When the water is gone, there is an ornate silver box, 8-9′ x 5′ x 2′. Whatever is inside is what we have come for, we pick it up and hide behind the altar as two officials or priests approach the door…


3 July 2011
im in the field, the corner pasture by the driveway, the section which we just fenced in waking life, and a python, 20 feet long and thick as my leg, slithers along the ground. The kids might be around, and i feel protective. I step on the snake’s neck, then reach and grab the snake at the back of the head, squeezing in the way that makes the mouth open and venom sprays out like a hose with a finger over it. Venom evrywhere. Then another python, same thing. A python now in each hand. Then a third. i Don’t panic but what do i do exactly? Seemed to not be a problem… Three poison pythons…
At the Ghostbuster booth i give them a phone number and then receive my new ID/credit card, but the last four digits are wrong. i tell them and they say no no it’s correct without looking. mom is there and i shout at them no it’s not fucking right. im not mad but don’t you tell me it’s correct. they see and apologize and take the card to fix it. im looking for garbage bags in the school building before dawn. much confusion ensues. nice morning fog. dehydrated.

dehydration, confusion and poison snakes – that is what happens after three beers and two cigarettes.

Gud Gawd Ah Been Busy, But Don’t Ask Me How

Directed by J. Cody Baker
Produced by Ram Paul Silbey
A Saloon Studios Job


The very fifth day in the fine month of May,
After a cross-country, my tenth time or so,
The studio started to roll and recorded
Thirteen songs, some written full five years ago

Another week later, the hills of the Satyr
Saw me back a-bounding my homewoods aga’n
I planted the garden i feigned to work hard in
But mostly i practiced my bow and handstand

The top of the pumpkin had started to jump in
The dirt by the time i had promised to part
And so the zucchini, the pea and green beanie
I watered, and wandered to Manhattan’s heart

In old San Francisco, the curse and the kiss co-
exist, as a fist hides a holdable hand —
But back in Manhattan, it’s harder to fatten
A flatfooted lacklust if still he won’t stand.

Now Calendar’s calm, come secular Psalm!
Fall into my palm as it pushes its plow
I feel like a fraud but when busily trod
O gud Gawd ah been busy, but don’t ask me how.


PS many Thank You to all who contribu’d

To making this album, due later this year

It may take a while, but calm crocodile

remember reptile, that never ain’t near

Raising $ for new album!

Please take a look at the new Kickstarter page to fund the next record, and pass on to anyone who might be interested. Thanks so much!

Dream Quote

“Lao Tse said: ‘The thing about the desert people always seem to forget about is the wind. It never stops, and your mouth and eyes have no protection from it. Wind has swiftly carried your open society around the globe, and I am sorry. It will one day will wear it down, fill it and bury it. In the desert, attackers move as fast as the blowing sand itself.’”

This is not really a quote from Lao Tse or anyone. I stayed up for 40 hours, followed by 16 hours sleep which just ended with reading that paragraph in a book. I almost let myself forget it until i realized it’s not from any old book, it’s from my brain just now. Not that i mind having inspired quotes dropped on me, but it’s springtime! This is too heavy for spring, i’m goin outside!

New “Right Together” Video

From the album “John Houx’s Green Period”
Directed by: Brandon Vedder
Cinematography by: Colin Mika
Art Direction: Tim Stafford

Thought is a Tool

Thought is a tool for solving rational problems. When thought is of no use, I turn off the mind. Tools are best kept in their chest.
I hammer a loose nail, but I do not swing the hammer in my other affairs. Hammers fix nails and damage all else.
I have a flashlight, but I keep it off while sun is shining. A bulb left on all day is useless by nightfall.
I may speak, but what good is a mouth that won’t shut up? Moments of speech get their value from hours of silence.
Thought is the mouth of the mind. Teach it to keep quiet until it has something to say.

When practice makes perfect, it translates idea to instinct, mind to muscle, thought to no-thought.
All skills* operate on muscle memory.
Muscle memory is beyond the grasp of conscious thought.
Even once learned, action falls apart when THOUGHT about. Why?

The BODY is a ship, steered by the SELF (subconscious center). The EGO (conscious thought) is the cabin boy, who thinks he could be a better captain. He takes the wheel from the self, but hasn’t the strength to steer, nor the ability to juggle so many duties, and the ship goes off-course. The cabin boy must either give the wheel back to the rightful captain or risk a dangerous crash.

————–
See also: The Sorcerer’s Apprentice!

* Skills in the real-time world of three or four dimensions, excepting skills on computers or within one’s own mind.

NO PERMISSION out now!

No Permission cover art

my new five-song EP NO PERMISSION is now streaming and downloadable at www.shatteryourleaves.com/ !

it’s pay-what-you-want, which means it’s free if you want it to be. just like you. there’s four new songs of mine and a reworking of smashing pumpkins’ “Thirty-Three,” an old favorite. thanks and enjoy!

Our Fish Father (an evolutionary sonnet)

i’ve just been struck, astounded, by the thought
Of evolution in a lit’ral sense:
“Family with all the world” is not
Pretentious abstract poetic license
But truly, that the fam’ly tree is one
Our fathers’ mothers’ father was a fish
His cousins grew as trees beneath a Sun,
Who is our uncle — sounds so childish!
How can i make it clearer, say it plain?
Our parents’ parents — worms and stones and stars!
On absolutely ev’ry atom’s chain,
The first link is the very same as ours
    Literally, children of one cell —
    The tersest truth is trickiest to tell!